7, those created during the composition of Nos. This work helped to shape the earliest parts of No. 7 was Sibelius's final home for material from Kuutar, a never-completed symphonic poem whose title roughly means "Moon Spiritess". When he returned to the symphony, the composer drank copious amounts of whisky in order, he claimed, to steady his hand as he wrote on the manuscript paper. Īs 1923 turned into 1924, Sibelius was distracted from his work on the symphony by a number of outside events: the award of a large cash prize from a Helsinki foundation, family birthdays and the composition of a number of brief piano works. Through the summer of 1923 the composer produced several further drafts, at least one of which is in a performable state: however the ending of the symphony was not yet fully worked out. ![]() The first surviving draft of a single-movement symphony dates from 1923, suggesting that Sibelius may have made the decision to dispense with a multi-movement work at this time. The overall key seems to have been G minor, while the second movement, an Adagio in C major, provided much of the material for the themes that eventually made up the Symphony. Surviving sketches from the early 1920s show that the composer was working on a work of four, not three, movements. The symphony would have three movements, the last being a "Hellenic rondo". In 1918 Sibelius had described his plans for this symphony as involving "joy of life and vitality with appassionato sections". ![]() 7 occurred in December 1918, the source for its material has been traced back to around 1914, the time when he was working on the Fifth. The final result was successful enough for Sibelius to use the same idea in his Symphony No. 3, dating from 1907, contained three movements, an earlier fourth movement having been fused into the third. The concept of a continuous, single-movement symphony was one Sibelius only reached after a long process of experimentation. For its publication in 1925, the score was titled "Symphony No. 7 (in one movement)". The composer was apparently undecided on what name to give the piece, and only granted it status as a symphony after some deliberation. Īfter Sibelius finished its composition on 2 March 1924, the work was premiered in Stockholm on 24 March as Fantasia sinfonica No. It has been described as "completely original in form, subtle in its handling of tempi, individual in its treatment of key and wholly organic in growth" and "Sibelius's most remarkable compositional achievement". The composition is notable for being in one movement symphony, in contrast to the standard symphonic formula of four movements. ![]() The Symphony No. 7 in C major, Op. 105, is a single- movement work for orchestra written from 1914 to 1924 by the Finnish composer Jean Sibelius.
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